Nice Interview with Julia PottPosted: January 30, 2011
This is pretty much just a link post so that I remember this for the future.
Lately, I’ve been on a big Casiotone for the Painfully Alone kick. Maybe it’s because they are no more and I wish I had been able to see them live once but alas. Anyway, I’ve been listening to a bunch of songs that I have less familiarity with like “White Corrolla” and, wouldn’t you know, there’s a music video of it and it’s pretty great. I looked up the artist and apparently she’s a pretty freshly minted freelance animator and there was an interview done with her for Premsela which is actually quite nice so I’m embedding it here so I don’t forget about it for when I may be feeling disheartened about aesthetic practice.
What I really like about it is, well, that I can identify with her as a relatively new college graduate trying to find my way so the distance between myself and her is not as far as it is between myself and most other multimedia professionals. Also, her attitude and advice is pretty spot on. You cannot expect perfection all the time or else you’ll lose it. And the work you produce must be the work that you must produce for yourself or else it’ll be rubbish. The passion is in that which you make because of a rising force inside of you that needs explosive release not that which you make with the goal in mind of being this or that.
In a way an attitude such as this is the key to everything from movement to relationships. Maybe I’m just making this connection because I’ve been reading a book on the Alexander Technique but it really does seem to be the case. People really get caught up in a hyper-awareness of everything they’re trying to do because the goal in mind is applying this huge pressure for success and all this adds up to dismal failure and disappointment. We need to lose the tension of mandatory success in all cases. In this book I’m reading, the author is talking about this as it pertains to movement. That is, for instance, the problem from walking without tension to playing the piano is a hyperconsciousness of our physical bodies. Our body knows what to do already but because of our anxiety, we hijack the controls but this hijacking does not improve performance but reduces it because conscious control of the body never works as efficiently or correctly as the unconscious use of the body. So, to put it simply, the goal in something like baseball is not to focus on how to contort the arm to hit the home run or on the necessity of hitting the home run but to focus of where the ball is going. This same thing happens over and over again as we move to social relationships for instance. The desire and needfulness of the one for the other produces maladaptive practices that drive the other away. This extreme consciousness that leads the one to overanalyzing everything and contriving a way to perfect control is, in fact, the problem itself. The relationships that don’t go heavy and where no party acts like the other is mortally essential tend to be the ones that succeed. Similarly, in business when you want the job so bad and try so hard, this hyperawareness once again sabatoges you. So, forget the goal, forget success, and focus on what you’re doing right now but don’t put any pressure on it. Act like failure is an option and you will succeed far more often.